Featured in the first image on the top right are two paintings by Lydia Rubio. They are “El Rosal” from the series of Colombia (2014).
Featured on the second page in the top right is the landscape painting “Viñales Proun” (1984) on the wall.
Link to the full article is here: https://www.pointdevue.fr/lifestyle/visites-privees/chez-monika-mclennan-a-manhattan
Interactive paintings performance at the Lumberyard, Catskill NY. 9. 15. 2019. Exhibition of five large format paintings on panel related to environmental issues in the Hudson River. The public was invited to participate in a sequence of erasures and redrawing of the works including references to the sites painted by Frederick Church and Thomas Cole, to evidence the urgency to stop the destruction of nature.
On a trip to Rajasthan, I visited the Sanskrit School for Children in Chanoud Garh. With the help of the village painter and inspired by figures of animals and plants commonly used in Indian art, I completed a mural piece of 300 cm x 400 cm. The piece will be used to teach words and shapes to elementary school children.
Genius Loci: La Sabana, Exhibition at La Localidad, Bogota CO. Curated and with an essay by Eduardo Serrano
A reinterpretation of the landscape of the Bogota Sabana, in 28 oils, a large format accordion travel journal with drawings and texts on landscape, and 18 watercolors and ink drawings. Landscape, geometry, numbers and words combined in polyptychs with a detailed technique and naturalistic emphasis. An appropriation of the sabana, making visible the invisible.
Genius Loci, a travel journal of drawings, quotes, and maps. Accordion book. Watercolor and ink on paper, 50cm x 500 cm
Polyptych SABANA , oil on panel 6 pieces, horizontal installation 150 cm x 250 cm
ElThis series of 30 works, drawings and paintings, is based on observations over the past one and one-half years of daily life in the park across from my apartment in Bogota: the park on 79th, a magical place.
Its scale, simple geometry, landscaping, and location in an urban center isolated from the hustle and bustle, are features that transform it into a pool-like park or carpet-like park, a stage inhabited by the community that surrounds it, its neighbors, office workers, lovers, housekeepers, guards and, of course, its dogs: Yuki, Mia, Fango and Lola, Ramon, Shiloh, Woody and Lina.
I selected as characters dogs, friends and trees, and used a circular, repetitive narrative. There are references to George Seurat’s “Sunday at the Grande Jatte,” to that peaceful bourgeois world now in the process of extinction. As I observed from my fourth-floor apartment, I discovered in the park on 79th a marvelous reality, the poetic spirit of Bogota.
This series is the testimony of a visitor to that magical place.
Esta serie de 30 obras, dibujo y pintura, esta basada en mis observaciones durante el ultimo ano y medio de la vida cotidiana en el parque situado frente a mi apartamento en Bogota:
el parque de la 79, para mi un lugar mágico.
Su escala, su simpleza geométrica y paisajística, ubicado en el centro urbano y alejado de su ruido, son factores que lo transforman en “parque-piscina” o “parque-alfombra”, un escenario habitado por toda la comunidad que lo rodea, los vecinos, oficinistas, amantes, empleadas, guardias y, claro, los perros del parque: Yuki, Mia, Fango and Lola, Ramon, Shiloh, Woody and Lina
Utilizando una narrativa circular y repetitiva, he escogido personajes, entre perros, amigos y arboles. Hay referencias a la obra de George Seurat, “El Domingo en la Grande Jatte”, a ese mundo apacible y burgués, ya desapareciendo. Contemplando al parque desde el cuarto piso, descubrí en el Parque de la 79 lo real maravilloso, la otra parte del alma de Bogota.
Queda mi obra como un testimonio de un visitante.